Critical Arts, Volume 34, Issue 2 (2020) – Special Issue: Brand China, Guest Editor: Jun Zeng
Introduction
Rethinking Chinese Questions in Western Literary Theories
Articles
Thinking on the Research Methods of Dialogism in Chinese and Western Literary Theories
Reception and Dissemination of Qiyun Shengdong in the Western Art Criticism
Yixiang (意象) in Contemporary Chinese Ink Installation Art
Book review
Art, trade, and cultural mediation in Asia, 1600–1950
About Critical Arts
From its inception, Critical Arts examined the relationship between texts and contexts, cultural formations and popular forms of expression, mainly in the Third World, but after the 1994 transition in South Africa Critical Arts repositioned itself in the South-North and East-West nexus focusing on developing transdisciplinary epistemologies. Critical Arts ‘ authors are Africans debating Africa with the rest; and the rest debating Africa and the South and with each other.
Editor-in-Chief
Keyan G Tomaselli
Editorial coordinator
David Nothling
Article submission: